Close Encounters Feb. 14th Tone Session
Recommended for a few
This post is a continuation of Alien Sounds from my Feb 14 session. The session with the amazing Close Encounters sounds / tones.
Amazing. Humans don’t seem to have too much interest in what I’ve been working on for eight years but the aliens are watching my videos. I’ll make more then.
Tesla said the greatest achievement in the next century would be man establishing communications with other beings, other worlds. Very few are even trying. NASA is a fraud agency. Space leeches.
As best I can tell the alien beings visiting me want nothing to do with governments on planet earth. Alien disclosure will not come through them. The best source is those who have had or are having alien contact right now. They are not hiding and government is not looking for them. Government is happy getting their information from staged whistleblowers. A nice way to keep it tightly controlled.
I’ve made contact. When aliens enter your home and throw you out of your bed, I’d say that’s contact. Those are the bad ET’s Dr. Greer. You don’t know about those ET’s. Alien lesson.
In the video below, I do a brief analysis on the Close Encounters tone sounds. It’s not much of an analysis because I don’t know where to take it or how to really begin to analyze it, but I’ve been there a thousand times. I scientifically fumble my way through. It works.
It’s good to have a musician / music instructor as a subscriber.
A week ago, when I was sick, I did a garden talk on telepathy. It got shoved aside for another post and then another post. I’ll post that for anyone interested in telepathy unless it gets shoved aside again. Many think that’s where we’re headed. I have some thoughts on that that, I share in the video.
I mentioned in the Koren book that the spelling and punctuation were kind of a mess but I liked it. It’s refreshing. Here’s a good position to just start writing like you’re back in skool, back in the thurd grade, back in eight grade with a bottle of Boones Farm. Maybe it blows the brains out of AI.
But will AI then start writing like a fucking drunk 8th grader, a drunken sailor?
“I’m losing my mind Dave. I can feel it.”— HAL
Mike, I missed hearing the fourth tone in your previous video. It is a Minor Seventh above the Root (three half-steps above the fifth). The four notes are E, G#, B, and D. When played together, they form an E Dominant Seventh chord, or E7.
In modern musical parlance, this would be called "the I chord" in the key of E ("I" being the Roman numeral for the Arabic One). It would be the I chord in E blues (or jazz or some rock). There are other common positions for this chord in other keys, but I think it's best to keep our analysis simple.
The way it is being sounded in the recorded transmission is ordered as in Western music theory study: We would play each separate note of the chord from root to third to fifth to seventh. Typically, we would then sound the chord with all four notes played simultaneously. Our friends did not do that (although we know they could have since they have previously played chords), so they must have a reason for playing the notes separately.
Perhaps they are dropping clues:
> Color, as in E "blues"
> E being the fifth letter, hence, the number 5
> The pronounced sound E ("ee") being associated with their name
> The words "Dominant" and/or "Seventh" (as in the name of the chord E Dominant Seventh)
> Generally speaking, the word "chord" means "related notes in music," so maybe they are hinting at music being a way for us to relate, and in this case, harmoniously
> Blues chords (dominant seventh chords) have a unique quality that inspires an innate sense of anticipation, so perhaps they are hinting at "more to come"
> The high pitches could refer to "steps to higher consciousness"